Curious about studying Literature and Creative Writing (Including Placement Year) - BA (Hons)at University of Essex? We've gathered all the key details—entry requirements, modules, fees, and more. Hear from real students by checking out reviews, or take the next step by booking an open day to explore it for yourself.
Bachelor of Arts (with Honours) - BA (Hons)
University of Essex
Full Time
Oct 2026
4 Year
All writers are first of all readers and all readers are writers, for without the active participation of readers a book is never fully realised. Our BA Literature and Creative Writing offers a unique approach to the practice of reading and writing, combining more familiar British and American perspectives and readings with other influential schools of writing, from the study of tradition and myth to the innovative practice of the Workshop of Potential Literature or Oulipo in France. You deepen your knowledge of literary tradition across a variety of genres in order to develop your practical skills of understanding, expression and invention. Pursue your love of reading and explore some of the most important novels, poems, and plays from the United States, the Caribbean and Europe while developing your own writing through a variety of planned readings and writing exercises. We’ll teach you to be your own editor; critically judging your own and others’ work is invaluable in transforming your work from something good to something great. At the beginning of your course, you receive a highly focused introduction to the study of literature alongside intensive modules in creative writing, covering myth, innovation and tradition, prose, and poetry. A module on writing for radio allows you to go into a studio and record a radio play. You then progress to look at a range of specialist topics such as: - experimental writing and surrealism - myth and fairytale - translating novels for the screen - American literature - Shakespeare - science fiction Our course develops your abilities as a reader and writer while allowing you to take options from the other courses within our Department of Literature, Film, and Theatre Studies including filmmaking, journalism and drama. Essex has nurtured a long tradition of distinguished writers whose work has shaped literature as we know it today, from past giants such as the American poets Robert Lowell and Ted Berrigan, to contemporary writers such as mythographer and novelist Dame Marina Warner, and Booker Prize-winner Ben Okri.
Which writers re-worked Homer’s Odyssey? Or borrowed ideas from Dante’s Inferno? Examine how key literary texts and genres have been used by successive generations of writers up until the present day. Shift from classical text to a more modern example, studying the long cultural traditions that exist.
How do you get started as a writer? How do you practise your writing? And how can you make improvements? Using exercises and texts, focus on your basic skills and essay writing. Cover topics like characterisation, dialogue, point of view, plotting, suspense, and metaphor and imagery.
How do you read a text closely? What is involved in close reading? With emphasis on you to active do the close reading, learn how this approach can contribute to your appreciation of meaning and significance in a diverse range of texts.
This module in creative writing will explore poetry from its origins to the present by asking you to engage with both traditional forms and recent experiments. By taking a long view of poetry it will explore the way in which poetry changes over time, migrating from one place to another, one form to another, from cave wall to bark, to page, to body, to building, to advertising billboard, to electronic media. Contemporary work will be explored which both engages with and departs from traditional forms of poetry, including work that extends the boundaries and the language and forms of poetry towards actions, non-poetic language, and word-games. While the history of poetry might seem to demonstrate that the best poets – Mallarmé, Maxwell – are essentially unemployable, poetry and its utilitarian functions in advertising and related fields connecting to employability will be a central feature. Teaching itself, as far as possible, will itself be experimental – including the gathering of feathers and objects, five-minute lectures, and field work – attempting to perform the "restrangement" that underpins much poetic activity.
This interdisciplinary module serves several functions. Firstly, you will develop an understanding of your degree in the context of the wider world and specifically the graduate jobs market. You will come to understand the employability and career-development opportunities that are available to you during and after your time at Essex, and you will begin the life-long process of continuous professional development with a firm grounding in the practical skills and reflective practice involved. The module is divided into two parts: career-development learning; and Speaker Weeks, when a member of staff will interview guest speakers about their careers in fields that are allied to the arts and humanities. These will cover a range of career areas that may be of interest to humanities graduates in general: from media, arts, journalism, education, publishing, to entrepreneurship in related areas. These weeks are intended to be inspiring but also full of practical tips and ideas, with an emphasis on showing how careers develop over time, and what pathways students can explore to get to where they want to be; as well as what kinds of extra-curricular activities students can engage in now to open more doors professionally before and after graduation. In the career-development learning part of the module, you will cover topics such as the Graduate Labour market, the Humanities graduate, self-reflection and personal development, and how to research and apply effectively for jobs. Skills such as CV writing and interview technique will be covered. Two-hour interactive lecture/seminars will introduce students to careers resources and ideas, but will also include discussion and group work.
What is creative non-fiction? How does it engage and experiment with the world around us? Explore the boundaries between fiction and non-fiction, from Defoe’s Journal of the Plague Year to today’s “misery memoir”. Understand the creative aspect of others kinds of writing, widening your own scope and sense of possibility.
This module will explore, through practice and discussion, the discrete art of the short story form. You will read a diverse selection of short stories drawn from various literary and cultural traditions, both historical and contemporary, to inspire and form the writing of your own short stories, attending to the specific qualities and techniques of this literary form.
This module offers an exploration of the extent of writing on the environment, on landscape and the natural world in a time of increasing awareness of a global climate emergency. A number of primary non-fiction and fiction texts will be selected for discussion in seminars. In addition there will be choice literatures of eco-critical writing and contemporary eco-political works such as the Peoples Manifesto for Wildlife and material by Extinction Rebellion. The course will extol the virtues of the outdoor classroom -- extending learning beyond the seminar walls to explore the nature of Wivenhoe Park and through a field trip. Students will be encouraged to extend their knowledge in multidisciplinary ways to enhance their ability to analyse and write literatures of the environment. This module has been designed to enable students to integrate their subject knowledge with an understanding of sustainable development, acquiring the skills and competencies essential for addressing the urgent sustainability challenges of the 21st century.
Placement Year
4.3
