IntroductionTrinity Laban supports a wide range of research-based activity, including choreography, composition, sound-art, music/dance performance, dance theatre, scenography, music/dance science, as well as encouraging collaborative work, for example between music and dance, film or technology. Some researchers pursue interdisciplinary work, combining practice with theoretical perspectives, for example looking at the cultural context of the creation and performance of work, or education and
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Introduction
Trinity Laban supports a wide range of research-based activity, including choreography, composition, sound-art, music/dance performance, dance theatre, scenography, music/dance science, as well as encouraging collaborative work, for example between music and dance, film or technology. Some researchers pursue interdisciplinary work, combining practice with theoretical perspectives, for example looking at the cultural context of the creation and performance of work, or education and pedagogically based work. Practitioners/researchers from Trinity Laban are developing innovative, collaborative projects which aim to push the boundaries of the art forms and promote the development of new artistic media.
Assessment
All candidates present a written dissertation for examination: this may take the form of a combination of practice and/or practical documentation, in addition to a written document. Wholly written submissions, for example in music/dance science or historical projects, are also appropriate.
Creative Practice MPhil/PhD submissions are practicable in the following areas of study: musical composition (by portfolio submission); choreography (by portfolio submission); movement-based somatic practice; music and dance performance; other projects in artforms such as film, installation and photography that interface substantially with either music or dance.
